Listing 1 - 7 of 7 |
Sort by
|
Choose an application
Eine Reise zum Mond, Zauberei, Liebesgeschichten, Bücherfunde und Pythagoras - Die unglaublichen Dinge jenseits von Thule des Antonius Diogenes fordern den Leser durch eine Kombination verschiedenster Themen und Gattungstraditionen heraus. Die moderne Gesamtinterpretation wird jedoch dadurch anspruchsvoll, dass der kaiserzeitliche Text nicht in mittelalterlichen Handschriften überliefert ist, sondern in Papyrusfragmenten, Zitaten, Zusammenfassungen und Paraphrasen. Nachdem seit der letzten Edition (Stephens/Winkler 1995) weitere Textzeugnisse hinzukamen, bietet die vorliegende Arbeit eine Neuedition und Übersetzung aller Testimonien und Fragmente auf dem Stand der Forschung. Erstmals erläutert ein ausführlicher Gesamtkommentar Überlieferung, Sprache, Stil und Handlung. Interpretative Kapitel bereiten die aktuelle Forschungsdebatte zu den wichtigsten Themenkomplexen auf (Bedeutung des Pythagoreismus, Narratologie, Leitmotive) und setzen den Text in Beziehung zu Hypotexten und zeitgenössischen Diskursen. Die vorliegende Arbeit macht den Text damit einem philologisch, aber auch literatur-, geistes- und religionsgeschichtlich interessierten Publikum zugänglich. The Wonders Beyond Thule by Antonius Diogenes uniquely combines a range of themes, including aspects of a love story, fantastic journeys, and Pythagorean philosophy. The author reassembles this work, which has only been preserved through papyrus fragments as well as later authors' accounts, into a new edition that offers detailed philological and interpretive commentary on all of the surviving descriptions and fragments.
Antonius Diogenes. --- Antonius Diogenes --- Criticism and interpretation. --- German literature. --- Diogenes, Antonius --- Diogene, Antonio --- Antonio Diogene
Choose an application
Platon a dit de lui qu'il était un « Socrate devenu fou ». Philosophe atypique, Diogène ne s'est interdit aucune extravagance, ne s'est soumis à aucune des conventions sociales en vigueur à son époque, le IVe siècle av. J.-C. Mais s'il est demeuré, jusqu'à nos jours, une figure familière de la culture occidentale, il le doit avant tout à son rôle dans la naissance d'un courant philosophique majeur, le cynisme. Pourfendeur des théoriciens de la philosophie et adepte d'une philosophie en actes, Diogène choisit de mener une existence de mendiant et s'emploie à dénoncer les artifices de la vie en société. Successivement citoyen de Sinope, étranger en exil, esclave asservi par des pirates crétois puis affranchi, Diogène illustre, de manière saisissante, la mobilité et l'insécurité sociales caractéristiques du monde grec ancien. Surtout, refusant toutes les appartenances, de la famille à la cité, il est le premier à se déclarer citoyen du monde et invente un nouvel idéal : le cosmopolitisme
Philosophy, Ancient --- Diogenes, -approximately 323 B.C --- Philosophie --- Diogène le Cynique --- Critique et interprétation.
Choose an application
The description for this book, Proclus: A Commentary on the First Book of Euclid's Elements, will be forthcoming.
Mathematics, Greek --- Geometry --- Early works to 1800 --- 51 <09> --- Greek mathematics --- Mathematics--Geschiedenis van ... --- Mathematics, Greek. --- Early works to 1800. --- 51 <09> Mathematics--Geschiedenis van ... --- Mathematics--Geschiedenis van .. --- Mathematics--Geschiedenis van . --- Geometry. --- Mathematics --- Euclid's Elements --- Aigeias of Hierapolis. --- Babylonians. --- Diogenes Laertius. --- Eudemus of Rhodes. --- Friedlein, Gottfried. --- Gelon. --- Heron of Alexandria. --- Iamblichus. --- Justinian. --- Leodamas of Thasos. --- Marcus Aurelius. --- Menaechmus. --- Neoclides. --- Neoplatonists. --- Orphic writings. --- Pappus. --- Perseus. --- Philippus of Mende. --- Sceptics. --- Simplicius. --- Syrianus. --- Taylor, Thomas. --- Xenocrates. --- Zenodorus. --- cosmic figures. --- line, definitions of. --- quadratrix. --- reduction. --- tetrad. --- theurgy. --- Mathematics--Geschiedenis van --- Geometry - Early works to 1800 --- Euclides
Choose an application
"Die Ernährung in der Antike war vielfältig, regional verschieden und von der beginnenden Eisenzeit (ca. 1000 v. Chr.) bis in die Spätantike (ca. 500 n. Chr.) sowohl erstaunlich stabil als auch neuen Einflüssen wie exotischen Gewürzen aus dem Fernhandel und sich ändernden, religiös motivierten Haltungen zu Essen und Gemeinschaft ausgesetzt. Wer as welche Nahrung ? Welche ist die richtige, welche die beste Ernährung ? Und wer konnte sich welche Speisen leisten ? Gad es Speiseverbote ? Wie diskutierten die Menschen der Antike, welches Essverhalten für welchen Tischgenossen "standesgemäs" sei ? Uns was verraten uns gemeinsame Mahlzeiten über die antike Esskultur und ihre gemeinschaftsstiftende Wirkung ? Indem die Autorinnen und Autoren der Leitfrage nachgehen, wie Ernährungsweisen einen Spiegel der Gessellschaft darstellen, beweisen sie, dass die Ernährung der Antike und die antiken Ernährung diskurse uns im 21. Jahrhundert viel zu sagen haben."
E-books --- Antike --- Ernährungsgewohnheit --- Ess- und Trinksitte --- Hunger --- Überfluss --- Ernährung --- Griechenland --- Römisches Reich --- Saarbrücken --- Potsdam --- (Produktform)Electronic book text --- Alkoholismus --- Alkoholismus-Vorwürfe --- Ammianus Marcellinus --- Anthimus --- Apicius --- Archäologie der Ernährung --- Askese --- Bohnenverbot --- Diogenes Laertes --- Ekel --- Emotionsgeschichte --- Ernährung der Franken --- Ernährung der Goten --- Ernährung der Philosophen --- Ernährung in der Antike --- Ernährung römischer Kaiser --- Ernährungsdiskurse in der Antike --- Ernährungssoziologie --- Fasten --- Fleisch essen --- Fleisch-Opfer --- Frühe Eisenzeit --- Geschenke --- Gewürze in der Antike --- Hieronymus --- Horaz --- Hungerrevolten --- Iamblichos --- Invektive --- Isidor von Sevilla --- Kannibalismus --- Kannibalismus-Vorwurf --- Kommunikation mit den Göttern --- Nahrungsverweigerung --- Opfer --- Petron --- Photios --- Porphyrios --- Pythagoreer --- Speiseluxus --- Speisetabus --- Speiseverbote --- Spätantike --- Strabon --- Stratike (Region) --- Suizid --- Vegetarismus --- Völkerwanderung --- Wein trinken --- antike Ethnographie --- antike Speiseluxus --- christliche Perspektive auf Ernährung --- römische Kochbücher --- römische Öllampen --- sportulae --- „spätrömische Dekadenz“ --- (VLB-WN)9550 --- Überversorgung --- Nutrition --- Ernährungsstatus --- Ernährungszustand --- Lebensmittel --- Nahrung --- Poztupimi --- Stadtgemeinde Potsdam --- State Capital of Potsdam --- Landeshauptstadt Potsdam --- Residenzstadt Potsdam --- Bostampium --- Bostanium --- Postampium --- Potestampium --- Potsdam-Sanssouci --- Potsdamm --- Potsdamum --- Potzdam --- Pozdam --- Sarrebruck --- Kommune Saarbrücken --- Saarbruchen --- LHS Saarbrücken --- Stadtgemeinde Saarbrücken --- Landeshauptstadt Saarbrücken --- Saarbrücken --- Malstatt-Burbach --- Imperium Romanum --- Reich Rom --- Italien --- Römerzeit --- Römer --- v753-500 --- Griechen --- Altertum --- Geschichte 753 v. Chr.-500 --- Coutumes alimentaires. --- Alimentation. --- Civilisation antique --- Food habits --- Civilization, Ancient --- History
Choose an application
Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.
Research & information: general --- Biology, life sciences --- Animals & society --- animal narrators --- anthropocentrism --- cultural ontologies --- discourse analysis --- fiction–nonfiction distinction --- framing and footing --- life writing --- narratology --- politeness --- self-narratives --- animal studies --- human-animal studies --- speaking animals --- Tolstoy --- Bulgakov --- trauma theory --- Russian literature --- allegory --- humanism --- literary theory --- film studies --- George Orwell --- Animal Farm --- Chicken Run --- Uwe Timm --- ‘Morenga’ --- African history --- colonialism --- postcolonial German literature --- animal narratology --- multi-perspective narration --- animal agency --- The Plague Dogs --- Richard Adams --- unreliability --- talking animal stories --- non-human focalizer --- Pincher Martin --- non-human narrators --- intradiegetic narration --- Gerard Genette --- anthropomorphism --- Eric Linklater --- The Wind on the Moon --- direct speech --- characterization --- posthumanism --- inter-species comprehension --- Hindi cinema --- Bollywood --- animal narrator --- world literature --- empathy --- Cartesian dualism --- Maurice Merleau-Ponty --- animal poetry --- ‘Inventing a Horse --- ‘Spermaceti’ --- eco-humanities --- eco-criticism --- eco-philosophy --- Industrial Farm Animal Production --- narrative --- plot --- conflict --- environmental crisis --- catastrophe --- play theory --- Franz Kafka --- manuscripts --- speaking-for --- narrative representation --- literary representation --- animal autobiography --- fictional autobiography --- meta-autobiography --- contextualist narratology --- cultural and literary animal studies --- poetics of knowledge --- zoology --- natural history --- equine autozoography --- horse-science --- narrative voice --- inoperativity --- singing mice --- zoopoetics --- anthropological machine --- community --- music --- Cervantes --- Novelas ejemplares --- El coloquio de los perros --- Novela del casamiento engañoso --- Siglo de Oro --- Early Modern Age --- cynicism --- Diogenes of Sinope --- Montaigne --- Derrida --- Animal Studies --- rhetoric --- animal narration --- fable --- Aesopic fables --- Greek fable --- antagonistic fables --- comics --- animals --- cinema --- sound effects --- science fiction --- Achilles --- Archilochus --- fox --- Gryllus --- Hesiod --- Homer --- Lucian --- pig --- Plutarch --- Pythagoras --- rooster --- Xanthus --- talking dogs --- agency --- animal --- dystopia --- Marie Darrieussecq --- human --- non-human --- Truismes --- Kafka studies --- adaptation studies --- intertextuality --- intermediality --- mimesis --- emulation --- imitation --- repetition --- parody --- autobiography --- genre --- entanglement --- Cixous --- dogs --- earth --- worldviews --- indigenous wisdom traditions --- relationality --- ecology --- language --- more-than-human geography --- multispecies ethnography --- ecopsychology --- anthropology --- environmental philosophy --- decolonization --- intuition --- instinct --- myth --- non-verbal communication --- IK --- TEK --- animality --- film --- White God --- filmic representation of animals --- material ecocriticism --- Moby-Dick --- Werner Herzog --- Hans Sahl --- lyric poetry --- mole --- space --- time --- species --- metamorphosis --- transformation --- exile --- n/a --- fiction-nonfiction distinction --- 'Morenga' --- 'Inventing a Horse --- 'Spermaceti' --- Novela del casamiento engañoso
Choose an application
Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.
Research & information: general --- Biology, life sciences --- Animals & society --- animal narrators --- anthropocentrism --- cultural ontologies --- discourse analysis --- fiction–nonfiction distinction --- framing and footing --- life writing --- narratology --- politeness --- self-narratives --- animal studies --- human-animal studies --- speaking animals --- Tolstoy --- Bulgakov --- trauma theory --- Russian literature --- allegory --- humanism --- literary theory --- film studies --- George Orwell --- Animal Farm --- Chicken Run --- Uwe Timm --- ‘Morenga’ --- African history --- colonialism --- postcolonial German literature --- animal narratology --- multi-perspective narration --- animal agency --- The Plague Dogs --- Richard Adams --- unreliability --- talking animal stories --- non-human focalizer --- Pincher Martin --- non-human narrators --- intradiegetic narration --- Gerard Genette --- anthropomorphism --- Eric Linklater --- The Wind on the Moon --- direct speech --- characterization --- posthumanism --- inter-species comprehension --- Hindi cinema --- Bollywood --- animal narrator --- world literature --- empathy --- Cartesian dualism --- Maurice Merleau-Ponty --- animal poetry --- ‘Inventing a Horse --- ‘Spermaceti’ --- eco-humanities --- eco-criticism --- eco-philosophy --- Industrial Farm Animal Production --- narrative --- plot --- conflict --- environmental crisis --- catastrophe --- play theory --- Franz Kafka --- manuscripts --- speaking-for --- narrative representation --- literary representation --- animal autobiography --- fictional autobiography --- meta-autobiography --- contextualist narratology --- cultural and literary animal studies --- poetics of knowledge --- zoology --- natural history --- equine autozoography --- horse-science --- narrative voice --- inoperativity --- singing mice --- zoopoetics --- anthropological machine --- community --- music --- Cervantes --- Novelas ejemplares --- El coloquio de los perros --- Novela del casamiento engañoso --- Siglo de Oro --- Early Modern Age --- cynicism --- Diogenes of Sinope --- Montaigne --- Derrida --- Animal Studies --- rhetoric --- animal narration --- fable --- Aesopic fables --- Greek fable --- antagonistic fables --- comics --- animals --- cinema --- sound effects --- science fiction --- Achilles --- Archilochus --- fox --- Gryllus --- Hesiod --- Homer --- Lucian --- pig --- Plutarch --- Pythagoras --- rooster --- Xanthus --- talking dogs --- agency --- animal --- dystopia --- Marie Darrieussecq --- human --- non-human --- Truismes --- Kafka studies --- adaptation studies --- intertextuality --- intermediality --- mimesis --- emulation --- imitation --- repetition --- parody --- autobiography --- genre --- entanglement --- Cixous --- dogs --- earth --- worldviews --- indigenous wisdom traditions --- relationality --- ecology --- language --- more-than-human geography --- multispecies ethnography --- ecopsychology --- anthropology --- environmental philosophy --- decolonization --- intuition --- instinct --- myth --- non-verbal communication --- IK --- TEK --- animality --- film --- White God --- filmic representation of animals --- material ecocriticism --- Moby-Dick --- Werner Herzog --- Hans Sahl --- lyric poetry --- mole --- space --- time --- species --- metamorphosis --- transformation --- exile --- n/a --- fiction-nonfiction distinction --- 'Morenga' --- 'Inventing a Horse --- 'Spermaceti' --- Novela del casamiento engañoso
Choose an application
Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.
animal narrators --- anthropocentrism --- cultural ontologies --- discourse analysis --- fiction–nonfiction distinction --- framing and footing --- life writing --- narratology --- politeness --- self-narratives --- animal studies --- human-animal studies --- speaking animals --- Tolstoy --- Bulgakov --- trauma theory --- Russian literature --- allegory --- humanism --- literary theory --- film studies --- George Orwell --- Animal Farm --- Chicken Run --- Uwe Timm --- ‘Morenga’ --- African history --- colonialism --- postcolonial German literature --- animal narratology --- multi-perspective narration --- animal agency --- The Plague Dogs --- Richard Adams --- unreliability --- talking animal stories --- non-human focalizer --- Pincher Martin --- non-human narrators --- intradiegetic narration --- Gerard Genette --- anthropomorphism --- Eric Linklater --- The Wind on the Moon --- direct speech --- characterization --- posthumanism --- inter-species comprehension --- Hindi cinema --- Bollywood --- animal narrator --- world literature --- empathy --- Cartesian dualism --- Maurice Merleau-Ponty --- animal poetry --- ‘Inventing a Horse --- ‘Spermaceti’ --- eco-humanities --- eco-criticism --- eco-philosophy --- Industrial Farm Animal Production --- narrative --- plot --- conflict --- environmental crisis --- catastrophe --- play theory --- Franz Kafka --- manuscripts --- speaking-for --- narrative representation --- literary representation --- animal autobiography --- fictional autobiography --- meta-autobiography --- contextualist narratology --- cultural and literary animal studies --- poetics of knowledge --- zoology --- natural history --- equine autozoography --- horse-science --- narrative voice --- inoperativity --- singing mice --- zoopoetics --- anthropological machine --- community --- music --- Cervantes --- Novelas ejemplares --- El coloquio de los perros --- Novela del casamiento engañoso --- Siglo de Oro --- Early Modern Age --- cynicism --- Diogenes of Sinope --- Montaigne --- Derrida --- Animal Studies --- rhetoric --- animal narration --- fable --- Aesopic fables --- Greek fable --- antagonistic fables --- comics --- animals --- cinema --- sound effects --- science fiction --- Achilles --- Archilochus --- fox --- Gryllus --- Hesiod --- Homer --- Lucian --- pig --- Plutarch --- Pythagoras --- rooster --- Xanthus --- talking dogs --- agency --- animal --- dystopia --- Marie Darrieussecq --- human --- non-human --- Truismes --- Kafka studies --- adaptation studies --- intertextuality --- intermediality --- mimesis --- emulation --- imitation --- repetition --- parody --- autobiography --- genre --- entanglement --- Cixous --- dogs --- earth --- worldviews --- indigenous wisdom traditions --- relationality --- ecology --- language --- more-than-human geography --- multispecies ethnography --- ecopsychology --- anthropology --- environmental philosophy --- decolonization --- intuition --- instinct --- myth --- non-verbal communication --- IK --- TEK --- animality --- film --- White God --- filmic representation of animals --- material ecocriticism --- Moby-Dick --- Werner Herzog --- Hans Sahl --- lyric poetry --- mole --- space --- time --- species --- metamorphosis --- transformation --- exile --- n/a --- fiction-nonfiction distinction --- 'Morenga' --- 'Inventing a Horse --- 'Spermaceti' --- Novela del casamiento engañoso
Listing 1 - 7 of 7 |
Sort by
|